Audio & Video Accessories canon d1600 slr camera | Best Prices in Australia | GetPrice
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Audio & Video Accessories canon d1600 slr camera

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  1. Designed to be as user-friendly as possible, the Rode VideoMic Go DSLR Camera Lightweight Directional Shotgun Microphone has no switches or settings, and is powered by the camera or recording device’s external microphone input, requiring no batteries to operate. At only 74gm it is RODE's lightest camera microphone. Its tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that the user can isolate their subject from distracting background noise• High quality directional microphone Features: No battery required powered by camera plug-in power - min 2.5V Integrated Rycote® Lyre® shock mounting Only 73gm (2.5oz) Rugged reinforced ABS construction Windshield included 3.5mm mini-jack output 20cm cable included, extendable to 35cm) Integrated cold-shoe mount with 3/8” thread Designed and manufactured in Australia Two year warranty.
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  2. This System 10 package includes the ATW-R1700 receiver and ATW-T1001 UniPak® transmitter with MT830cW omnidirectional lavalier microphone. Each System 10 Camera-Mount wireless system includes a camera shoe mount in addition to the receiver and transmitter. The AT8691 camera shoe dual mount and the AT8350 3.5 mm to XLR output cable are available separately.With its compact and portable design, the System 10 Camera-Mount high-fidelity digital wireless system is ideally positioned to capture media on the go. Perfect for video production, electronic news gathering (ENG) and every mobile application in between, the receiver features multiple mounting options to accommodate a variety of cameras and recording devices.Like all of the products in the System 10 digital wireless family, the Camera Mount provides three levels of diversity assurance: frequency, time and space. Instantaneous channel selection, sync and setup make the Camera-Mount extremely easy to use, while its digital 24-bit/48 kHz wireless operation provides the ultimate in sound quality and dependable performance. Also, as the receiver operates in the 2.4 GHz range, it remains completely free from TV interference at all times. FeaturesDigital 24-bit/48 kHz wireless operation for ultimate sound quality and dependable performanceOperates in the 2.4 GHz range – completely free from TV interferenceUltra compact receiver size with multiple mounting optionsSelectable balanced and unbalanced output jacks with level control for use with most cameras and recording devicesInternal rechargeable 12-hr batterySeparate headphone port and volume control for local audio monitoringMulti-pairing function to link a single receiver with up to eight body-pack or handheld transmittersThree levels of diversity assurance: frequency, time & spaceAutomatic frequency selection for seamless, interference-free operationExtremely easy operation with instantaneous channel selection, sync and setup
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  3. This System 10 package includes the ATW-R1700 receiver and ATW-T1001 UniPak® transmitter. Each System 10 Camera-Mount wireless system includes a camera shoe mount in addition to the receiver and transmitter. The AT8691 camera shoe dual mount and the AT8350 3.5 mm to XLR output cable are available separately.With its compact and portable design, the System 10 Camera-Mount high-fidelity digital wireless system is ideally positioned to capture media on the go. Perfect for video production, electronic news gathering (ENG) and every mobile application in between, the receiver features multiple mounting options to accommodate a variety of cameras and recording devices.Like all of the products in the System 10 digital wireless family, the Camera Mount provides three levels of diversity assurance: frequency, time and space. Instantaneous channel selection, sync and setup make the Camera-Mount extremely easy to use, while its digital 24-bit/48 kHz wireless operation provides the ultimate in sound quality and dependable performance. Also, as the receiver operates in the 2.4 GHz range, it remains completely free from TV interference at all times. FeaturesDigital 24-bit/48 kHz wireless operation for ultimate sound quality and dependable performanceOperates in the 2.4 GHz range – completely free from TV interferenceUltra compact receiver size with multiple mounting optionsSelectable balanced and unbalanced output jacks with level control for use with most cameras and recording devicesInternal rechargeable 12-hr batterySeparate headphone port and volume control for local audio monitoringMulti-pairing function to link a single receiver with up to eight body-pack or handheld transmittersThree levels of diversity assurance: frequency, time & spaceAutomatic frequency selection for seamless, interference-free operationExtremely easy operation with instantaneous channel selection, sync and setup
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  4. Utilizing a multilayer coating process for consistent color rendition from lens to lens the Samyang 35mm T1.5 VDSLR answers the challenge of assembling a set of lenses over time.
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  5. The PTC200 4K UHD PTZ Video Camera from Datavideo captures up to 4K 3840 x 2160 UHD video at 2160p 29.9725 resolution and features wide dynamic range with backlight compensation.
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  6. PASGAO PR-50R Wireless Microphone System for Video Cameras / DVR An excellent professional solution for your portable camera wireless audio capture - the Pasgao PR-50R UHF Wireless Receiver, and the PBT-305 UHF Bodypack Transmitter. The receiver includes an XLR (M) to 3.5mm patch cable, ideal for inserting direct into a mixer, or for use with a portable camera system. The transmitter includes a lapel mic, with a mini XLR input, compatible with many other lapels/headsets, such as AKG. The range of stable signal reception is 50 metres. About PASGAO PASGAO is an experienced Chinese manufacturer of many types of wireless microphones and audio devices. Also an OEM manufacturer, PASGAO has partnered with many famous global microphone brands for their wireless mic ranges. Buying a PASGAO product gives you the quality and reliability you would expect from a well known brand, but at a price that delivers unbeatable value. Features: Multiple frequencies are available. 8 transmitters can operate simultaneously in the same channel with no interferance. Balanced audio output design within the receiver. PR-50R Receiver: Frequency range 80-16000 Hz Signal / Noise> 102 dB Dynamic range> 92 dB Output 1.8 Jack (mini jack) Power: 2 AA batteries (included) Battery Continuous Time> 8 hours Dimensions 85x65x23 mm Weight 90 gr. PBT-305 Transmitter: Input connector mini XLR Frequency range 60-16000 Hz Signal / Noise> 102 dB Power 10 mW Power 2 x 1.5 V (AA) batteries Continuous operation time> 8 hours battery Dimensions 85x65x23 mm Weight 80 gr.
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  7. Saramonic GoMic For GoPro Cameras The Saramonic GoMic is a stereo ball microphone designed for GoPro cameras HERO3, HERO3+, and HERO4. It plugs directly into the GoPro, and it's easy to transport. Most importantly, it captures professional-level audio quality with a clarity to match the cinematography. Features: Plugs directly into GoPro HERO3, HERO3+, HERO4 Stereo condenser microphone Clear and sensitive audio capture Lightweight (0.42 oz) Windscreen included No battery required Specifications: Microphone Type: Stereo condenser, dual X/Y capsules USB connectivity Frequency Response: 35Hz to 20kHz Signal-to-Noise Ratio: 80 dB SPL Dimensions: 1.4 x 2.1 x 0.9" / 35.6 x 53.3 x 22.9 mm Weight: 0.42 oz / 11.90 g
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  8. A twochannel mixer designed specifically for use with a DSLR camera.
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  9. The Ikan DH7 Full HD monitor features 4K HDMI capabilities all within a lightweight affordable package. The 7" monitor's 1920x1200 HD resolution combined with an IPS screen delivers vibrant color and viewing angles. It can handle 4K signals from the most popular 4K HDMI cameras and offers two programmable feature buttons. It's no surprise the DH7's simple practical design makes it the ideal size and weight for field production.
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  10. The Blackmagic Design Body Cap replaces the body caps originally supplied with the Blackmagic Cinema Camera Blackmagic Pocket Cinema Camera and Blackmagic Studio Camera 4K or Blackmagic Studio Camera HD with MFT mount.
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  11. The Blackmagic Design Body Cap replaces the body caps originally supplied with the Blackmagic Production Camera 4K or Blackmagic URSA with PL mount. It protects the camera sensor and internal electronics from dust and dirt that could enter when a lens is not attached.
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  12. The Blackmagic Design Body Cap replaces the body caps originally supplied with the Blackmagic Design Cinema Production Camera 4K and URSA Cameras with EF mount.
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  13. Utilizing a multilayer coating process for consistent color rendition from lens to lens the Samyang 100mm Macro T3.1 VDSLR answers the challenge of assembling a set of lenses over time.
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  14. The 50mm T1.5 VDSLR UMC II Canon EOS Full Frame from Samyang is a fast manual focus prime lens.
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  15. The135mm T2.2 VDSLR UMC II Canon EOS Full Frame from Samyang is a manual focus prime lens.
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