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  1. The superior-quality Canon EF 35mm f/1.4L USM Wide-Angle Autofocus Lens features a brilliant maximum aperture of f/1.4, the largest in its class, along with the superior natural image quality of Canon L-series lenses. An advanced floating mechanism and a ground and polished aspherical lens element achieve extremely sharp, distortion free pictures from infinity to its closest shooting distance of 1.0'/0.3 m.
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  2. The Sigma 24mm T1.5 Fully Luminous FF High Speed Prime Lens is part of Sigma’s High Speed Prime lens family, featuring acclaimed optical designs from their Global Vision lens initiative. The installed Sony E mount ensures compatibility with Sony cinema and mirrorless cameras. Electronic contacts in the mount provide lens data communication between the lens and the camera. What sets these lenses apart from the standard Sigma High Speed Primes is fully luminescent markings. When shooting in dim or dark environments, focus pullers and camera operators will be able to easily discern lens markings without resorting to distracting lamps or other disruptive light sources. This 24mm lens shares the same physical diameter to the other lenses in the set while maintaining identical focus and iris gear positioning with the entire lens set, relative to the mount. The included support foot also attaches in the same spot on all lenses, so you won’t have to move your lens support after changing lenses. All High Speed Prime lenses also share the same 95mm front diameter. Similar physical attributes across the lens line makes fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time consuming. For mounting filters without a matte box, this lens also features an 82mm filter thread to accept readily available screw-on filters. Note: The mounts on these lenses are not interchangeable by the end-user. Should you want to natively mount these lenses to a camera with a different mount, a new mount installation can be done by Sigma for a fee. Lens Design and Testing Introduced with the Global Vision initiative, Sigma’s A1 MTF testing, using a 46 megapixel Foveon sensor, analyzes each lens before it leaves the factory, ensuring that the lens performs as intended and provides sharp images on high-resolution sensors. Advanced computer-aided design of these lenses enables Sigma to minimize flare and ghosting even b
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  3. The ZEISS Compact Prime CP.2 28mm/T2.1 Cine Lens (F Mount) is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II). What distinguishes the CP.2 from its PL-mount-only predecessor is its interchangeable lens mount, which allows the included Nikon F mount to be easily swapped out for an optional Canon EF or cinema-standard PL mount. For the first time, a single, affordable, professional quality lens can be used on both cinema and still cameras, opening up creative possibilities that keep your rig lightweight, versatile, and on budget. Interchangeable Mount The Compact Prime CP.2 lenses are the world’s first cine lenses designed for use with DSLR cameras. The interchangeable mount guarantees high flexibility for present and future use in any situation and for a wide range of camera platforms. Allows for a mix of DSLR systems with traditional cine cameras, for maximum flexibility on set No need for adapter solutions Ready for the Future The Compact Prime CP.2 lenses cover a full-frame image format without vignetting. Combined with the interchangeable mount, the Compact Prime CP.2 offers the possibility to upgrade to any number of existing or future cine and still cameras while still utilizing the same set of lenses. Full-frame coverage (24 x 36mm) Common aperture of T2.1 for the standard lens set Sweet spot effect with APS-C sensors Unique 14-Blade Iris The iris opening of the Compact Prime CP.2 lenses is created by 14 high precision blades. It stays consistently round and symmetrical over the entire T-stop range. This translates into natural out-of-focus highlights and a smooth bokeh. High Optical Performance The modern lens design as well as the cine manufacturing process and tight tolerances ensure low distortion, high resolution and excellent color rendition for sharp, punchy images. High resolution and contrast Low distortion Color matched Great flare suppr
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  4. Tamron's proprietary eBAND (Extended Bandwidth & Angular-Dependency) Coating suppresses tangential reflections, while a new generation of BBAR (Broad-Band Anti-Reflection) Coating has been optimised for ultra-wide angles of view. Together, they effectively correct ghosting and flare, yielding vivid images of extraordinary clarity. Responding to the demand for a wide-angle lens suited for handheld shooting at slow shutter speeds, Tamron has created the world's first f/2.8 ultra-wide-angle zoom lens with image stabilisation. The result is a lens able to capture sharp images even when shooting handheld under low light conditions. The large f/2.8 aperture lets you soften the foreground or background to dramatically emphasise the subject. A minimum focusing distance of 0.28m over its entire range of focal lengths allows wide-macro effects. As the large, convex front element cannot be protected by a filter, it has been given a fluorine coating that repels water and dirt, and makes it much easier to remove smudges as well. Moisture-resistant construction helps prevent moisture from penetrating the lens.
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  5. Standard length prime lens for Canon EF mount DSLRs Fast f/1.8 maximum aperture provides sharp capture in low light and enables shallow depth of field control. At just 120grams, it is a comfortable carry for day-to-day shooting and numerous hand-held photo applications. The lens uses gold plating for the metal contacts, effectively improving the signal conductivity and corrosion resistance. Multi-coated lenses improve the light transmittance. Supports M/Av/Tv/P and other camera shooting modes and the aperture data can be displayed in the EXIF information.
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  6. The 10x zoom range of the Sony FE 24-240mm F3.5-6.3 OSS Lens allows this one lens to cover an extensive variety of shooting situations, making it ideal for travel where reducing luggage is a priority, for landscapes, architecture, snapshots, portraits, and much more. Switch between wide angle and telephoto without having to change lenses, so more of those fleeting moments will be captured. Advanced optics effectively subdue aberration while achieving high resolution throughout the image area, and a precision linear motor drives focus for quick, smooth response. Handheld telephoto shots and low-light photography are facilitated by built-in Optical SteadyShot (OSS) image stabilisation, and the design is dust and moisture resistant for reliable operation in challenging conditions. Full-frame zoom lens for 35mm full frame format E-mount bodies 24mm to 240mm wide-to-telephoto covers a wide range of photography genres 5 aspherical elements and 1 ED glass element minimises aberrations and delivers high resolution from wide to telephoto Optical SteadyShot for steadier handheld shooting Dust and moisture resistant design Features 24mm emphasises full-frame visual impact Although 28mm is a normal wide end for this type of lens, extended range to 24mm allows more dynamic images to be captured, especially in the full-frame format. 10x zoom captures subjects near or far The 24mm to 240mm zoom range covers a broad variety of photographic needs, from nature and scenery to architecture and portraits. Sharper images in any light Built-in Optical SteadyShot (OSS) image stabilisation makes it easier to capture clear images when shooting handheld at the telephoto end of the zoom range or in low light. High reliability in harsh conditions A design that resists the intrusion of dust and moisture helps to ensure reliable operation in harsh outdoor conditions. Specifications Product name FE 24-240mm F3.5-6.3 OSS Model name SEL24240 Lens mount Sony E-mount Format 35mm full frame Focal-lengt
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  7. The Fujifilm WCL-X100 II Wide Conversion Lens is a dedicated wide conversion lens for the X100F that broadens the original lens's field of view by 0.8x to offer a wider, 28mm equivalent focal length. Not only does this lens emphasise perspective, it's also perfect for when you want to capture a broader view such as when shooting in tight spots or landscapes. When the WCL-X100 II is mounted on the X100F, the camera automatically recognises the conversion lens, corrects aberrations and displays matching frame lines when working with the optical viewfinder. Compatible only with X100F Digital Camera Converts Lens to 28mm Equivalent Magnification: 0.8x
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  8. The Sigma 24-105mm F4 DG OS HSM Art lens is a premium lens designed for full frame cameras and will also work with APS-C sensors with an effective increase in focal length. The 24-105mm F4 is a highly versatile focal range and staple everyday lens.
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  9. This renowned, ultra-fast f/1.4 prime lens opens up a world of artistic potential. Optimized for FX-format D-SLRs, it combines superior NIKKOR optical properties and advanced Nikon lens technologies for truly exceptional performance in the field or in the studio, whether shooting stills or HD videos.
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  10. A100 DSLR TWIN LENS KIT BLACK
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  11. A-Mount 1.4X Tele Converter
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  12. Nikon AF DC-NIKKOR 105mm f/2D Lens (Import) Product code: NKL-105/2D The AF DC-NIKKOR 105mm f/2D Lens from Nikon is an FX format telephoto prime lens effective for portraiture and other medium telephoto applications. Its fast f/2 maximum aperture allows sharp imaging in low light and shallow depth of field control. Furthermore, its unique Defocus Image Control ring creates smooth and subtle out-of-focus areas in either the foreground or background of your image. A rounded diaphragm also adds to more natural looking out-of-focus areas and a manual aperture control ring is supported. With a rear focus system, only the lens' rear elements move during focus for faster AF performance and an M-A mode ring switches between manual and auto focus modes. A built-in lens hood is provided to deflect unwanted light. Autofocus is not supported by D40, D40x, D60, D3000, D3100, D3200, D3300, D5000, D5100, D5200, D5300 cameras--lens may be used with manual focus only. Be sure to check your camera's lens-compatibility information before selecting a new lens. This item may take 10 days to ship. Please keep in mind when ordering. This price includes GST. Quick Facts : A medium telephoto FX format prime lens with fast f/2 maximum aperture ideal for portraiture and effective in low light offering shallow depth of field control. Defocus Image Control ring enables control of the out-of-focus areas in your images background or foreground for a smooth, subtle effect. Rear focus system provides fast autofocus performance. Nine-blade circular diaphragm. Built-in lens hood. Whats Included : 1 x DC-NIKKOR 105mm f/2D Lens * 72mm Snap-On Lens Cap 1 x Cleaning Cloth & Lens cap * LF-4 Rear Lens Cap * CL-S2 Soft Fabric Lens Pouch Speak to our online chat about this product now ! or call 1300 88 33 32
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  13. 1 x Fotoprime 38W LED Ring Light Dimmable Beauty and Fashion Light Continuous LED Lighting The Fotoprime dimmable 30W LED Ring Light is designed to produce an clean, even spread of light towards your subject, eliminating harsh shadows. They are perfect ring lights for Beauty, Fashion and Youtube tutorials with a large output and crisp 5400K Daylight temperature. They produce even, flattering light and can be mounted to a stand (not included) for convenience. This model is our brightest yet, and with 640 LED bulbs it has a longer lifespan in comparison to traditional fluorescent lighting. It's dimmable from 0-100% meaning you have ultimate control over the output and it will suit all camera types. LED does not produce any flicker, which means you can even shoot with compact cameras and iPhones! It's an incredibly versatile option for all photographers and videographers. Diffusion cover included Quick Facts: 38.4W of LED power equivalent to 3850 lumens at 1 metre. High power LED bulbs with long lifespan. Dimmable from 10-100%. Can be mounted to stand (sold separately). Perfect for Beauty, Makeup and Youtube Videos. Stand sold separately. Camera Bracket for DLSR sold seperatly. Whats Included: 1 x 38W LED Ring Light 38W LED light equivalent to 3850 lumens at 1 metre. Rated at 5500K Daylight colour balance 640 ultra bright LED bulbs. Diameter: 50cm. 1 x Diffusion cover included. 1 x Goose neck light mount. 1 x Mirror. 1 x Camera phone bracket. Speak to our online chat about this product now ! or call 1300 88 33 32
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  14. Free Shipping, 2-5 days to arrive to major cities, 14 days Return, no hidden cost, Call us now for special discounts
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  15. Free Shipping, 2-5 days to arrive to major cities, 14 days Return, no hidden cost, Call us now for special discounts
    FREE shipping
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